What is kitsch? My photography group didn’t know the answer to that one, when we were dreaming up our next topic of the month. Well, back in 1980 Barry Humphries wrote a book on it. He ought to know – his early manifestation of Dame Edna Everidge was one hundred percent kitsch, before he started taking her (and himself) so seriously.
The most common, if somewhat laboured, definition is something like: ‘art, objects and design considered to be in poor taste because of excessive garishness or sentimentality, but sometimes appreciated in an ironic or knowing way’. That doesn’t mention that it can be just a bit of fun.
Humphries did include a few learned quotes on the topic, including a lengthy one in French(!). D.H. Lawrence had the last word: ‘All creative art must rise out of a specific soil, and flicker with a sense of place.’ That brings me straight to the photograph above of the Big Pelican on the Noosa River foreshore, perfectly placed to mirror its surroundings with tongue in cheek and eye on the flocks of pelicans following the fishing boats and hanging around the jetty.
I believe the same goes for writing: an authentic sense of place defines the characters, their actions and reactions, their options and choices. It is part of who they, and we, are.